![]() The bit crusher reduces the sample rate of your digitised signal, resulting in distortion that evokes old computer hardware, perfect for adding a robotic edge to your tone. Of particular note for this list are the bit crusher, reverb and ring modulator effects. Dr Scientist Bitquestĭr Scientist’s BitQuest offers some fresh takes on eight different effects: flanger, filters, bit crusher, reverb, ring modulator, harmoniser and delay. Read our review of the Meris Polymoon here. And, like the Mako, the introduction of stereo audio means you can achieve a more immersive, dreamier sound. The result from all of this is a sound that feels very alive, responding to your playing in many different ways. Rising and falling pitch effects can either evoke crystalline shimmering or a chaotic ascent into the sky. The multiply control bounces specific repeats back and forth between the left and right channels, while the dimension introduces some strange regeneration effects – your playing begins to collapse, before returning from audio-obliteration almost unrecognisable.įor even more sonic strangeness, you can even modulate certain repeats differently depending on their dynamics. But things start to get interesting with the multiply and dimension controls. The stereo delay engine’s max time is a healthy 1,200ms, more than enough to get a real sense of space, even when using it as a regular delay. Like most Meris pedals, the Polymoon begins to blur the line between pedal and instrument. Lists for £69 / $99 More information at. The DOD Gonkulator comes with the added benefit of containing a regular distortion circuit – allowing for a quick change between oscillated weirdness and a more traditional driven sound. But for evoking the last signals of a dying satellite, or the strange chirps of a retro computer, it’s pretty hard to go wrong with a ring modulator. Ring modulation is a hard effect to use well – its inherent oscillation can lead to an abrasive, unclear tone.
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